VST OneTrack Especificaciones descargar pdf (Pagina 434)

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• If you don’t want to experiment with different settings, click the Default

Settings button.

2. When you have made the desired settings, click on Process.

The program scans the audio and inserts Match Points.

Manual Adding and Editing of M-Points

As already mentioned, there is no actual “add M-Points” function in the Match Au-

dio/Tempo editor, and you cannot draw in M-Points like you can in the Audio edi-

tor. Instead you can do the following:

Duplicate an existing Match Point

1. Click on a Match Point to select it.

2. Set Snap to a suitable value.

Since you will most likely want to be able to place the Match Point anywhere

in the waveform, “Off” might be a good choice for Snap.

3. Hold down [Alt] on the computer keyboard and press the mouse button.

A dotted outline is shown around the Match Point.

4. Drag the outline to where you want the new Match Point and release the

mouse button.

A duplicate of the Match Point is created and placed where you indicated.

You may move it later.

Add a Time Hitpoint and convert it

1. Set Snap to a suitable value.

Since you will most likely want to be able to place the Match Point anywhere

in the waveform, “Off” might be a good choice for Snap.

2. Select the Pencil tool and click in the Time Hitpoint area.

A new Time Hitpoint is created (see the Hitpoints chapter in the main Cubase

manual).

3. Select the Hitpoint with the Arrow tool.

Sensitivity The higher the value, the more “sensitive” the detection algorithm,

and the more Match Points will be created.

Attack Try experimenting with this parameter when you are working with

“non-percussive” recordings.

Max. Num-

ber of Events

per Sec.

The maximum allowed number of Match Points per second of au-

dio.

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