VST OneTrack Especificaciones Pagina 323
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Do not hesitate to combine the two methods of automation, simultaneously or dur-
ing different parts of the Song. The settings you make in the Monitor window are
relative to the volume value delivered by the Dynamic Events automation. For ex-
ample, if the Dynamic Event volume has a value of -2.0 dB, and you set the Moni-
tor window fader to -0.4 dB, the resulting volume will be -2.4 dB.
● Please note that the Monitor Mixer automation is not restricted to Volume and
Pan - Mutes, Solo, EQ and Effect settings can also be automated.
- Getting into the Details 1
- Table of Contents 1 3
- 468 Bar Display 8
- Audio Channels vs Tracks 11
- Audio Files 13
- Non-destructive editing 14
- Segments 14
- Audio Events 15
- MIDI Inputs 16
- MIDI Outputs 16
- Recording 3 20
- Stereo audio recording 21
- Recording in stereo 22
- Why record on an Any Track? 24
- Record Info color coding 25
- Multi Track Recording 26
- Recording Audio 27
- Recording MIDI 27
- The Multi Rec pop-up when 29
- When four Tracks are 30
- ...the same information gets 30
- Creating Parts 33
- Overlapping MIDI Parts 34
- Part Info 35
- Merging Parts 36
- About Cut, Copy & Paste 37
- Resizing Parts 38
- Repeating Parts 38
- Deleting Parts 39
- Splitting a Part in two 39
- Joining Parts together 40
- Monitoring Parts 41
- Muting Parts 41
- Match Quantizing 42
- 4. Release the mouse button 43
- Renaming Parts 44
- Ghost Parts 45
- Using the “Repeat” function 46
- Cut Events 47
- Global Cut 47
- Global Insert 48
- Global Split 48
- Copy Range 49
- Remix Track 50
- Using Remix with Drum Tracks 51
- With Audio Tracks 51
- Mix Down 52
- Instruments 5 54
- About Instruments 55
- Deleting an Instrument 56
- in the playback 58
- The Parameters 59
- Compression 61
- Program Change 63
- Play Parameter Delay 65
- Which should I choose? 68
- Program Change Numbering 68
- About Bank Select 69
- MIDI Volume 70
- About Chase 71
- Pre-programming Mutes 73
- Recording Mutes and Solo 73
- About recording Mutes 74
- About editing recorded Mutes 75
- Groups 9 76
- About Groups 77
- Building Groups 78
- Adding Parts to a Group 79
- Using Groups 81
- Creating a Group Track 82
- Unpacking Group Parts 85
- The MIDI Editors - General 87
- Information 10 87
- Opening an Editor 89
- Closing an Editor 91
- Editing music during playback 92
- Coloring notes in the editors 95
- The Do pop-up menu 100
- - 101 101
- An Example 102
- The Info Line 103
- Quantize and Snap Values 104
- Creating Note Events 105
- [Shift] 96 106
- [Control] 64 106
- [Shift]+[Control] 32 106
- Key Velocity value 106
- None 127 106
- Editing Notes 107
- Editing Notes via MIDI 108
- Cutting, Copying and Pasting 108
- Deleting Events 109
- - 110 110
- Velocity 111
- Non-Note Events 111
- Poly Pressure 112
- Step Recording 11 113
- Introduction 114
- Selecting a Track for input 115
- Entering notes and chords 115
- Adding Rests 116
- If you make a mistake 117
- Using the Insert button 118
- Playing back 118
- When you are finished 118
- Key Edit 12 119
- About this “Chapter” 120
- Drum Edit and Drum Tracks 13 121
- - 122 122
- About Drum Maps 123
- About Output and MIDI Channel 125
- Setting up a Drum Map 126
- - 127 127
- Loading a Drum Map 128
- Saving your Drum Map 128
- - 130 130
- Line shows len 130
- [Shift]+[Control] Lev. 1 131
- [Control] Lev. 2 131
- [Shift] Lev. 3 131
- None Lev. 4 131
- Quantizing 132
- Muting Drum Sounds 132
- - 133 133
- - 134 134
- List Edit 14 135
- The Columns in the List 136
- MIDI and Drum Tracks 137
- Mixer Tracks 138
- Special Events 139
- Creating Events 140
- Editing in the List 141
- Editing in the Event Display 142
- Changing the Lengths of Notes 143
- Hiding Events 144
- Using Mask 145
- Unmasking Events 146
- Switching to Time Positions 147
- Score Edit 15 148
- About this Chapter 149
- Overview 150
- Time Signature 151
- Staff Settings 151
- - 152 152
- - 153 153
- - 154 154
- ... and when it is On 154
- Editing several Tracks 155
- - 156 156
- The Active Staff rectangle 156
- Manipulating Notes 157
- Chord Symbols 159
- Adding Text 160
- Title, Comment and Copyright 161
- Printing 162
- Logical Edit 16 163
- Opening Logical Edit 164
- Working with Presets 165
- Applying Ready-made Presets 166
- Making up your own Presets 166
- Changing the Name of a Preset 166
- How the Presets are Stored 166
- Selecting Easy or Expert Mode 167
- Initializing the Settings 167
- How Logical Edit Operates 167
- About Setting Values 168
- Setting up Filters 169
- Condition pop-up 170
- Value fields 170
- - 170 170
- - 171 171
- Applying a Filter 173
- Setting Up for Processing 174
- - 175 175
- Processing Functions 178
- Expert Mode 179
- - 180 180
- Additional Processing Columns 181
- Additional Operators 181
- - 182 182
- Recording Filters 183
- By MIDI Channel 184
- Controllers 184
- Thru Filters 185
- Mapping Controller Messages 186
- The Input Transformer 187
- - 188 188
- Input Transformer 1 188
- - 189 189
- GM/GS/XG Edit 18 190
- About this chapter 191
- The Controls 191
- The Device section 192
- - 193 193
- - 194 194
- Activating Inputs 196
- - 197 197
- The active Inputs will 197
- Recording from an Input 198
- Activating and routing Buses 200
- - 201 201
- Sends and Effects 202
- - 203 203
- - 204 204
- An example setup 205
- - 206 206
- The Audio Pool 20 207
- Overview of the Window 208
- Displaying Segments 209
- The Headings and Columns 210
- Customizing the View 211
- Option Description 212
- File Operations 213
- Deleting Files 214
- Creating a Segment 214
- Replacing a File in the Pool 215
- Handling “Missing Files” 216
- Icon: Description: 217
- The image is OK 217
- The file has no image 217
- Segment Operations 218
- Deleting segments 219
- - 221 221
- - 222 222
- General Procedure 223
- Dragging into the Wave Editor 224
- Prepare Archive 225
- Prepare Master 225
- - 226 226
- Saving and Loading the Pool 227
- The Audio Editor 21 228
- Opening the Audio editor 229
- - 230 230
- - 232 232
- About Q-points 233
- About Zero Crossings 234
- Zero Crossing Example 235
- Magnification 237
- - 238 238
- - 239 239
- Recording in the Audio editor 240
- Importing Audio Files 241
- Auditioning and Scrubbing 242
- Editing on the Info Line 243
- Changing Start and End Insets 244
- - 245 245
- Before moving the Event 245
- - 246 246
- Working with Q-Points 247
- Automatically 248
- What are Match Points? 249
- Displaying the M-Points 249
- Adding M-Points Automatically 250
- Adding M-Points manually 250
- Editing M-Points 251
- Deleting M-Points 251
- Moving Audio Events 252
- Moving By “Kicking” 253
- Duplicating 253
- Repeating Events 254
- Using Cut, Copy and Paste 255
- Quantizing Audio Events 256
- Groove Quantize 257
- Match Quantize 257
- - 258 258
- Undo Quantize 259
- - 260 260
- Working with Grouped Events 262
- Groups and Channel Settings 263
- Muting Events 264
- Splitting Events 265
- Which Events can be faded? 266
- Creating a Crossfade 267
- - 268 268
- - 269 269
- - 270 270
- 3 takes (cycle laps) 270
- - 271 271
- - 273 273
- - 274 274
- Creating Volume/Pan Curves 275
- - 276 276
- Exporting Events into Files 277
- Processing Audio Files 22 278
- Applying the Processing 279
- The Functions 280
- Pitch Shift/Time Correction 281
- - 282 282
- The Wave editor 23 283
- What is the Wave Editor? 284
- Precautions 284
- Opening Wave Editor Windows 285
- Adjusting the View 286
- Segment Display 287
- Scrolling 287
- Setting Magnification 288
- Playing Back 289
- Selecting 290
- Working with segments 291
- - 292 292
- Cutting and Pasting Audio 293
- Applying Processing Functions 293
- - 294 294
- - 296 296
- - 297 297
- - 298 298
- Mixing and using Effects 25 299
- Monitor Mixer 301
- Dynamic Events 301
- - 303 303
- Here, two EQ modules 303
- - 304 304
- - 305 305
- - 306 306
- - 308 308
- - 309 309
- Effects 309
- Master knob 309
- Clipping 309
- The three effect categories 310
- - 311 311
- - 312 312
- - 313 313
- Editing Effects 314
- Naming Effects 315
- Saving Effects 315
- Loading Effects 316
- The Group Mixer 317
- - 318 318
- Opening the Group Mixer 319
- Settings in the Group Mixer 320
- - 321 321
- - 323 323
- Automating the Monitor mixer 324
- Recording your actions 325
- - 326 326
- - 327 327
- Editing the Audiomix Part 328
- - 329 329
- - 330 330
- - 331 331
- VST-native Plug-ins 332
- Using and Editing the Effects 333
- DirectX Plug-ins 334
- - 336 336
- - 337 337
- Mixing down to an audio file 338
- - 339 339
- - 340 340
- - 341 341
- Working with ReCycle files 28 342
- About ReCycle 343
- Using ReCycle files in VST 344
- - 345 345
- - 346 346
- - 347 347
- Editing Tips and Tricks 348
- Making the Most of the Event/ 349
- Segment Relationship 29 349
- What is an Event really? 350
- What is a Segment really? 350
- Copying Audio Events 351
- - 352 352
- About Audio Ghost Parts 353
- - 354 354
- About Audio Cards 356
- - 357 357
- Multiple Cards 358
- Processor Type 359
- Processor Cache 359
- Memory (RAM) 359
- Disk Controller Card 360
- Hard Disk Performance 360
- SCSI or E-IDE? 360
- - 361 361
- Audio System Settings 362
- Audio I/O 363
- - 364 364
- File Cache Scheme 365
- MIDI Sync Reference 366
- MIDI to Audio Delay 366
- Priority 366
- Enable Audio only during Play 367
- Save your System settings! 368
- - 369 369
- The Advanced Options dialog 370
- - 371 371
- Output and Input Port lists 372
- - 373 373
- - 374 374
- - 375 375
- - 376 376
- - 377 377
- - 380 378
- Using the ASIO DirectX Driver 379
- - 381 381
- - 382 382
- Maintaining the Hard Disk 383
- The Master Track 31 384
- What is the Master Track? 385
- Opening the Graphic Editor 386
- The Window Sections 387
- About the Tempo Display 388
- About Time Signature Events 388
- About Rulers and Positions 389
- - 390 390
- Meter Linear Time Linear 390
- Position Boxes 391
- About Hitpoints 392
- About the Toolbox 392
- Activate Master! 393
- Recording Tempo Changes 394
- - 395 395
- M] on the computer 395
- - 397 397
- Redrawing the Tempo Curve 399
- Drawing new Events 400
- Moving Events Using the Mouse 401
- Duplicating Events 401
- Cut, Copy and Paste 401
- Smoothing Tempo Event values 403
- - 404 404
- - 405 405
- The Master Track List Editor 406
- Moving Events 407
- Using Import and Export 409
- Hitpoints 32 410
- What can I do with Hitpoints? 411
- What are Hitpoints? 411
- Setting Out Hitpoints 413
- - 414 414
- ...creates two new Hitpoints 414
- Editing Hitpoints 415
- - 417 417
- Linking Hitpoints 418
- When Drawing 419
- Breaking Links 419
- Link One by One 419
- Mirror & Link 419
- Working with Tempo Matching 420
- - 421 421
- Using Auto Tempo Scan 422
- Proceeding from here 423
- Working with Straighten Up 424
- - 425 425
- - 426 426
- - 427 427
- Locked Tracks 428
- - 429 429
- - 430 430
- Matching Audio and Tempo 33 431
- Creating Match Points 433
- - 434 434
- - 435 435
- Fixed Tempo Match 436
- - 437 437
- - 438 438
- Creating a Tempo Map 439
- - 440 440
- Fixed Time Stretch 441
- Quantizing Audio 442
- - 443 443
- - 445 445
- Creating a Groove template 446
- Using Snip at M-points 447
- - 448 448
- Time Locked Tracks 34 449
- What are Time Locked Tracks? 450
- Time Locking a Track 450
- Changing the Tempo 450
- Turning Time Lock On and Off 451
- Editing Time Locked Tracks 451
- Creating Multiple Tempi 451
- Things To Note 451
- Synchronization 35 452
- The two types of Sync Signals 453
- Cubase VST – Master Or Slave? 454
- Avoid MIDI Clock! 455
- - 456 456
- - 457 457
- - 458 458
- - 459 459
- Sync to time code deactivated 459
- Sync to MIDI Clock 459
- - 461 461
- About Frame Rates 462
- MIDI Clock 463
- - 464 464
- - 465 465
- MIDI TIme Code transmitted 465
- MIDI Clock transmitted 465
- - 466 466
- Song Start 467
- Time Display Offset 467
- Bar Display 468
- - 469 469
- Sync Options 470
- Customizing Cubase VST 36 471
- Why Customize? 472
- - 473 473
- - 474 474
- Saving the Startup Song 475
- Keyboard Commands 37 476
- What This Chapter Contains 477
- Numeric Keypad 477
- Typewriter Keyboard 478
- Window Handling 479
- Transport Bar functions 480
- General Selection and Editing 481
- - 482 482
- All MIDI Editor windows 483
- Key Edit only 483
- Drum Edit only 483
- Score Edit only 484
- List Edit only 484
- Pool functions 484
- MIDI Mixer Window only 484
- Index 38 485
- - 486 486
- - 487 487
- - 488 488
- - 489 489
- - 490 490
- - 491 491
- - 492 492
- - 493 493
- - 494 494
- - 495 495
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